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100 Greatest Films
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100. The Stud (1978)

Tacky 1970s sexploitation flick based on a book by Jackie Collins and starring her sister Joan as a jet-setting sex-pot. The film, and its sequel The Bitch, has not dated well, but at the time it revived Joan's flagging movie career and landed her her role as Alexis Carrington in Dynasty (as well as a Playboy spread). Her co-star Tobias Young, the stud of the movie's title, claims that Joan particularly enjoyed the famous 'orgy in a swimming pool' scene. Apparently she "took off and got carried away", while he was forced to fake an orgasm. Poor lamb.

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Film

99. The Outlaw (1943)

A slightly off kilter take on the well trodden Pat Garrett and Billy The Kid story with Doc Holliday thrown into the mix. Holliday’s horse is stolen and the three come into conflict. But it was the presence of Jane Russell playing a ‘half breed’ that got the censors all hot and bothered, or more precisely her dangerously low cut cleavage. Thanks to Russell, and a tongue in cheek screenplay by Jules Futherman, the film is charged with an erotic undercurrent that made it highly unusual in early 40s cinema.

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Film

98. Stealing Beauty

A tender, sensual coming of age tale from Italian maestro Bernardo Bertolucci, Stealing Beauty follows a 19-year-old American girl, Lucy Harmon (Liv Tyler), as she travels to Tuscany to spend time with family friends following the suicide of her mother. As well as recovery from this tragic event, Lucy plans to use the trip to lose her virginity - the scene in which she does this, with a young Italian boy, is a masterpiece of understated eroticism.

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Film

97. Deadly Weapons (1974)

The appropriately named Chesty Morgan uses her 'Jordan sized' weapons to smother the mobsters who killed her lover in this bizarre Hollywood feature. Directed by the 'female Ed Wood', Doris Wishman, the hero of trash directors like John Walters, it was inspired by The Godfather.

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Film

96. Bitter Moon (1992)

Brits abroad Hugh Grant and Kristin Scott Thomas get all kinky in Roman Polanski's voyeuristic thriller. Whilst on a honeymoon cruise, Grant is drawn into a world of dangerous sex-games with another couple (the girl played by Polanksi's own wife). This is a study of marriage based on obsession, lust and cruelty.

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